By Chompoonek Nimitpornsuko
The lights were dim in Milan. Cobblestoned streets an audience, welcoming an array of cameras and paparazzi flashing like applause. The venue is lit up like an opera hall, ready to host an extraordinary night of opulence and creativity. Milan Fashion week 2025/26 danced a line between two extremes: theatrical extravagance and unfiltered originality. The city was performing two different scripts of beauty, dialogue between two aesthetics of couture and reality. Together, they reveal that the future of fashion lies is not in perfection but in contrast.
Act One portrays fashion as a spectacle - the dream, the illusion and the very architecture that define Milan’s identity. Designers chose maximalism: long coats, luscious metallics and beautiful silhouettes that express drama. The runway was a stage and the performance was a carefully choreographed ballet of heels, digital projections and AI generated music, merging fashion and theatre. These collections symbolize luxury as emotional storytelling, the theme as ‘opera’ represents an idealized self: perfect, glamorous and deliberately constructed. Miuccia Prada and Raf Simons leaned into sculptural tailoring and metallic silk, a dialogue between discipline and motion. Sabato De Sarno’s collection for Gucci moved seamlessly between sensual minimalism and playful theatrics, embracing color drama, gothic and futuristic themes. Fendi brought their timeless elegance with oversized coats, neutral knit pieces and jewelry - a statement of quiet luxury. While Dolce and Gabbana brought their signature noir sensuality and power through form, a modern day Carmen in leather coats, sheer tops and denim, Versace through glamour through rebellion. Loud, unapologetic, and brilliant, Versace reimagined ‘90s supermodel through a Gen Z lens. Cobalt sequin jackets and statement pieces, the style boasts boldness without the price tag associated. After the pandemic, fashion returned from leisurewear to grandeur, not to escape reality but to reclaim it through lavishness and beauty.
While charisma elevated the halls of Milan, the streets reflect a democratizing, living and remixed culture of streetwear and casualness. Street style, including vintage designer pieces from Prada and Versace, have been circulating alongside DIY patchworks and sneakers paired with couture silhouettes. The newer generation brings comfort culture, a unique blend of unisex tailoring, oversized and pastel streetwear. As high fashion is popularized on social media platforms like TikTok, Instagram and thrift culture, every bystander is converted into a model and a critic. The street remix is a democratization of fashion, blending creative ownership without permission.
Milan shows us that the runway and streets are constantly in dialogue. Designers borrow streetwear and the streets remix couture. As the runway sets a tone, street style humanizes and grounds it in reality. In conjunction, the two reflect the duality of our lives: performing online while craving authenticity offline. Each outfit, whether thrifted or highend, becomes a statement of being. As the world moves further into a technological age, we crave individuality and defiance, knowing that fashion is ironic but embracing it regardless. Milan’s polarity reflects how our generation negotiates truth: performing sincerity while meaning it. In this way, we define a new authenticity, one that embraces contradiction. Milan Fashion Week wasn’t just a show, it was a mirror held up to a generational shift towards paradox. To belong and to break free. To perform and to protest. The week may be over but the world of silks, couture, streetwear and spectacles moves on towards fashion’s next stage.